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Monday, 12 April 2010
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Currently
Grindhouse Presents, Planet Terror - Extended and Unrated (Two-Disc Special Edition)
By Rose McGowan, Freddy Rodríguez, Josh Brolin, Bruce Willis, Marley Shelton
see relatedJust because I like it...
I have yet to fly to Park City, Utah to attend the Sundance Film Festival. Or, in the same city, the Tromadance Film Festival (perhaps a tad less classy, I’m sure…but just as much fun, if not more for horror and genre fans such as myself.)
I have, however, driven more than an hour to see a film…and will hopefully do so again…and again. The first time was September 7th, 2003 when I traveled to Chicago specifically to see the film THIRTEEN at Piper’s Alley. It was finally released in the Grand Rapids area more than a month after it opened in Chicago.
The NCG Eastwood in East Lansing is much closer to home, but still reaches that one-hour mark in travel time. I made my way there for Timur Bekmambetov’s NIGHTWATCH in March of 2006. That was the beginning of my often one-sided love affair with the NCG Eastwood. Side note: NIGHTWATCH played in Grand Rapids several months later at the UICA. My next foray to the NCG was for my second viewing of AN AMERICAN HAUNTING, which I saw on opening day two days previously at Celebration-North. Later that year I attended the first year of After Dark Films’ Horrorfest. On November 18th and 19th I made two consecutive trips to my now nearly beloved NCG. I saw three films on Saturday and two on Sunday. This left three of the “Eight Films to Die For” well, un-died for, I suppose.
I was fortunate in that the very next year, Horrorfest 2 played at STUDIO 28 (R.I.P.), so I was able to see more of the films in the lineup. On a three day bender, I caught seven of the eight titles. Since then the fest has continued, skipping one year. However, neither the Grand Rapids, nor the Lansing area cinemas have partaken since the second year.
In searching the official website I have found that Chicago and Detroit are the closest markets to host the fest. Since Horrorfest has moved from November to around February or March, the weather has conspired against me in my desire to participate. I keep telling myself that I can always rent or buy the DVDs, but with a huge back-log of unwatched flicks already in my collection, it’s a daunting prospect.
I certainly digress. I found out on-line sometime this week that THE BLACK WATERS OF ECHO’S POND was playing at the NCG. I went to the film’s official website to see that Grand Rapids wasn’t on the radar for the film’s first run. I’m not going to hold my breath…for I am fairly sure that the first and only time I will see the artwork for this little gem will be on the DVD at Best Buy.
I headed East from Grand Rapids on a bright warmish afternoon, today to be more precise. I killed some time and then found my NCG frequency card, which had been lying dormant in my wallet lo these few years. I bought a ticket for the 3:35 matinee of the film. The theater has changed a bit since my last visit, but my card is still valid, so I’m just that much closer to a free ticket. A free ticket that I will have to drive an hour from home to use, but a free ticket, nonetheless.
A few other changes I saw were that they now have an entrance facing the outdoor mall which the theater is a part of. Okay, that may not actually be new…I may simply have never noticed it before. I did observe that the foyer is comprised of three banks of box office kiosks that are closed. Tickets are now sold at the concession stand. I hope that is only for slow days…and that perhaps the box offices are still opened for Friday and Saturday nights as well as opening day for Summer blockbuster films. I suppose it doesn’t really matter as long as long as the service is still provided.
This still has absolutely nothing to do with the film in question, but one of the changes that I was actually hoping to find still eluded me. The concession stand does not offer iced tea. This escapes me as to why they would not have even a raspberry or lemony sweet tea as well as the old standard, unsweetened. The closest I was able to get since I began abstaining from sody-pop is bottled water.
I purchased a medium popcorn and an Aquafina™ and found a seat in theater # 16. I was the first to arrive. I was surprised to find that by the time the movie started I was actually joined by seven other people. This didn’t really bode well for the marketing on this flick, but then again, it was a gorgeous day outside so the slim attendance was to be expected.
In my opinion I cannot say that THE BLACK WATERS OF ECHO’S POND is a great film. Personally, I cannot even say that it’s good. That brings me to the most basic precept that guides my love for genre cinema. “Just because I like it doesn’t mean it’s any good.” I liked this movie. In some ways because of it’s obvious faults as well as despite them.
The characters were likeable enough…and in an “elimination” formula film likeable characters are usually the exception. There really wasn’t a particular person on the screen toward whom the viewer (I guess I can only speak for myself) actually anticipates with glee the moment they get “taken out.”
The film opens with a prologue set in 1927. A group of archaeologists unearth a tomb with the instructions for a means to enter Pandemonium (in this case…a real place) or to more specifically, bring it to earth. The scientists build a smaller scale replica of the altar/arena/what-have-you. The thing is hidden until modern day. The Echo’s Pond reference is derived from the bits and pieces of Greek mythology that the filmmakers have borrowed.
A group of twenty-somethings travel to a private island off the coast of Maine for a little vacation time. Via one of the lamest examples of deus ex machina I have ever seen, the replica is found…and it’s in the form of a giant board game. So the film turns into an R-rated JUMANJI, for lack of a better comparison. From what I understand, the fairly recent OPEN GRAVES operates under the same principle. I’d like to see that one now, if only to see how these films measure up to one another.
I am not disappointed in the film, although a true “critic” certainly would be. I liked the effects…and the kills were, dare I say, fun. The acting wasn’t always even, but I must repeat, the cast was likeable.
I guess I’ll leave the major questions unanswered, or for that matter, undiscovered. This was not my favorite movie of the year, but it was by far not the worst that I’ve seen.
A bonus for me was getting to see the Avellan Twins given more to do in a movie. They were featured briefly in the Robert Rodriguez/Quentin Tarantino double feature GRINDHOUSE. More specifically, they were hilarious as the Babysitter Twins in the Rodriguez half PLANET TERROR. As far as DEATH PROOF, Tarantino’s contribution, their appearance was more along the lines of the briefest of cameos. It was on my second or third viewing of the film that I noticed that they were actually in it.
Okay…I’m going to go off into left field to close this out. I mentioned liking the effects. I did. The theater showed the film on a digital projector, so the picture was gloriously clear. The gore effects were as believable as necessary. I did perceive something else that I think is absolutely hilarious, in retrospect. Mircea Monroe’s character, Veronique is a B-movie actress. On two or three occasions it is mentioned that she has recently had breast augmentation surgery. She even offers to let one of the other women touch her to show them off. At least halfway through the movie we cut to a shower scene (almost obligatory in a horror film, I suppose). When the audience, and by that, I of course mean myself and the seven other people in the theater, see Ms. Monroe in the altogether, it certainly appeared that her, well…her endowments were natural. I’m not medically certified so I can only say that they did not look as if they had been tampered with. I say this not to dis Ms. Monroe, I honestly think it’s amusing that after all of the preceding talk…they were real…posing as fake. Movie magic, indeed. That may have been the most astonishing special effect in the movie.
Sunday, 28 March 2010
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Currently
Independence Day
By Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell, Judd Hirsch
see relatedConsiderate Done
Upon a time when someone was talking during a movie, a simple shush was good enough to make them stop. Not anymore. Hell, the talkers are on the offensive now…as well as the defensive. They are starting to actually think they have the right to discuss the movie…plot points, characters, even actor’s names any time during the film.
No. You. Don’t. I’m not talking about the occasional return from a potty break with the inevitable “What did I miss?” That’s bad enough, but as long as it‘s brief and hushed, I can forgive it…I’m talking about full blown conversations.
July 3, 1996: The Cineplex Odeon - Stratford Square Mall, Bloomingdale, Illinois. The film: INDEPENDENCE DAY. Full house. Lively crowd for the popcorn flick of the summer. Nothing wrong with that. Enter problem: I’m sitting next to a tree. This dude is big. Pro football player big. He finds it necessary to narrate the story for his less than cranially endowed girlfriend. C’mon…it’s not Shakespeare…it’s Will Smith, Bill Pullman and Jeff Goldblum kickin’ some alien butt. No explanation necessary…it’s built right in to the movie. I’m not trying to be politically incorrect, but with the assumption that either your eyes or your ears work it’s a simple plot to follow.
I put up with the talking for as long as I could. I thought about how this dude could probably pick me up and throw me three or four rows away with one hand while still munching popcorn with the other. Still, I’d reached the end of my patience. I held my hand, palm up toward him and said, “Give me my seven bucks back or explain it to her while you watch it at home.” Or something like that…it’s been a while. I did hold my hand out and express myself with irritation in my voice.
Guess what? The big dude and his girlfriend didn’t say another word for the rest of the movie. I am pretty sure I simply embarrassed him into quietude. Good enough for me.
Fast forward a few years. Celebration Cinema North - Grand Rapids. I don’t remember which film. I wasn’t the talker or the “immediate victim” but I did hear a bit of murmuring. During the end credits I heard someone say in an angry voice, “You could have asked us nicely to be quiet.” I was instantly mad. I was prepared to jump in with the obvious if I was needed. The obvious? The moment you become a disturbance because of your talking during a movie, that’s when you have given up your right to be “asked” to be quiet. You didn’t have the courtesy to not talk…why should the person or persons who are trying to enjoy the movie without your input have to “ask” you anything? Answer: they shouldn’t. Ever. Roll end credits, that show is over, thanks for coming.
The new century has brought with it danger to those who seek the escapism of the cinema. And I’m not talking about the arterial clogging butter flavored topping either. No…I’m talking about belligerent talkers. Extreme…EXTREME belligerent talkers.
November 30, 2003 : Celebration Cinema - Rivertown Crossings Mall. The movie…MYSTIC RIVER. The situation: An old man is watching the film with his wife or whatever. They are about seven or eight seats to my right exactly one row behind me. The old man is telling his companion everything he thinks she needs to know about the plot…and more. Example: “That one is Sean Penn, and the other one is Tim Robbins.” Really?
Again, I reached the end of my rope…and I turned and said simply, “Do you mind?” To this, the old guy rose from his seat and with a verbal one-two punch called me ‘fatso’ and threatened to kick my ass. Probably an old sailor or whatever. I have no doubt that the old man would try it. It was most of the way through the film, so I simply shook my head at him and tried to ignore the talking if it continued. Surprise…it did NOT continue.
I’ve shushed one or two more people since then, but mostly just ignore the noise the best I can…and depending upon just how irritated I was made during any given movie, I complained to the concierge afterward.
In the past week or so there were two news items that remind me of this particular issue. The first is this: A man shushed a talker and was physically attacked moments later. The talker pulled out a meat thermometer and stabbed the shusher in the neck.
WTF? There is so much wrong with that scenario. First off, what was the guy doing with a meat thermometer in his pocket during a movie? This almost screams premeditation. He was actually talking in order to get a rise out of someone…so he could pull it out and use it. Stranger things? Secondly, if it really was not premeditated…and simply a crime of passion…and at the moment the meat thermometer was used…it WAS a crime, then again…WTF? Everybody knows you’re supposed to behave yourself and respect your fellow filmgoers, right? The Celebration Cinema group has even crafted pre-film advertisements to remind the film going public of just such examples of etiquette. I’m sure other chains have just such PSA’s as well.
The next story is one of redemption (sort of). During a movie a woman’s cell phone began to ring. As she was bending to answer it, the chair arm fell and hit her on the head. She is suing the theater for this. Can I get a WTF? She obviously deserved to get conked, though it didn’t hit her hard enough to knock any sense into her. If she had been bending over to pick up her purse, or popcorn, or napkin…whatever, I can see having her complain to the concierge after the movie. Since she should have: A.) turned her cell phone off; or B.) muted it or put it on vibrate before the feature started, the onus is on her. This was theater karma at work, sort of karma corn, if you will. If I were her, I would have been too ashamed to bring it up to anyone related to the theater. Shame on her…and good for that armrest!
So…though I may be taking my health in my own hands when next I attend the local Cineplex, I hold it as my prerogative to be the champion of movie going etiquette. If you are sitting a row or two behind me and feel the urge to talk, all I can say is this:
SHUT UP!!! Please. Sorry...Pretty Please.
Saturday, 05 September 2009
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Currently
The Black Mariah
By Jay R. Bonansinga
see relatedTop 25 Scariest Books...According to Me
I felt the urge to blog…with nothing in particular to go on and on about. Then, it hit me…post a list! The following is what I consider to be the master list of the scariest or at the very least, most disturbing books I’ve read. Some of them I don’t even know why they are on the list…which is to say that I’ve all but successfully blotted out the horrible feelings of dread and whatnot that the book initial inspired in me. All I know is that simple by looking at the title…I was drawn to include them in this list.
Hopefully I will be able to go into depth later on as to “Why” a particular book is on the list. For now, though…in alphabetical order…here they are.
1 Act of Love Joe R. Lansdale
2 American Psycho Bret Easton Ellis
3 Black Body H.C. Turk
4 Blood of Angels, The Stephen Gregory
5 Book of Skulls, The Robert Silverberg
6 Cage of Night Ed Gorman
7 Ceremonies, The T.E.D. Klein
8 Choir of Ill Children, A Tom Piccirilli
9 Cormorant, The Stephen Gregory
10 Dance of the Dwarfs Geoffrey Household
11 Dracula Bram Stoker
12 Fade Robert Cormier
13 Faerie Tale Raymond E. Feist
14 Firefly Piers Anthony
15 Flicker Theodore Roszak
16 Hobgoblin John Coyne
17 Midnight Tree, The Charles Higham
18 Rune Christopher Fowler
19 Salem’s Lot Stephen King
20 Shade of the Tree Piers Anthony
21 Silk Caitlin R. Kiernan
22 Tooth Fairy, The Graham Joyce
23 Trickster, The Muriel Gray
24 Usher's Passing Robert R. McCammon
25 X,Y Michael Blumlein
Saturday, 30 May 2009
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Currently
Mister B. Gone
By Clive Barker
see relatedUP and Down: The Turn Signal Film Festival
One bonus - perhaps the only one - to getting knocked down to a four-day work week is being able to go to movies on opening Fridays and pay matinee prices. I did that (again) yesterday. Twice. And the directional indicators were spinning, that’s for sure.
Film one: UP, the latest offering from Disney & Pixar. I saw it with my sister and nephew in 3-D. When a picture show is offered in 3-D I feel most obligated to see it that way. Though I enjoyed the film very much. I laughed in all the right places and even got a bit misty-eyed at the end. Hey…I’m not proud…I do have a gooey marshmallow center, y’know. One thing that I noticed is that with the constant aerial shots and such…the 3-D effects didn’t have the oomph that I have noticed in other recent flicks. Though the picture was crisp and clean, I think that the “Whoa!” factor was higher in movies like CORALINE and MONSTERS VS. ALIENS. Still…the film was a heckuva ride and I believe that all of my friends and family members that have similar tastes in this kinda stuff will like it a lot.
As for the other direction…I went back sans sister and nephew to allow horror maestro Sam Raimi to DRAG ME TO HELL. Though I was initially disappointed to learn that the film was getting a PG-13 rating, I knew that, as a fan of Maestro Raimi’s, I would see it regardless. Since seeing the flick, I finally checked out articles in the monthly horror magazines and found that the director was contractually obligated to deliver a PG-13 film to the studio. He fully expects to be allowed a director’s cut with the eventual release of the DVD. I’m so there. DRAG ME TO HELL never scared me…but it was fun to watch. I certainly squirmed a time or two with some of the gross-out gags. Ramped up to an un-rated level on the DVD it must be something to watch!
I hope to have many such enjoyable experiences in my local Cineplex as well as those far off. My goal has been in recent years to visit at least six new movie theaters a year. I managed to make it to four in 2006, but since then, though I have found new ones, I have not been able to see movies at any of them. Maybe this will be the year that I set the precedent with the desired six. So far I have found at least two theaters in Battle Creek and two or three in Novi that will make fun Saturday road trips should the gasoline prices not continue on their upward trend too quickly.
I have also been tempted to resurrect the ZOMBIE OF THE MONTH as the ZOMBIE OF THE MOMENT which I hinted at months ago. There is no shortage of zombie movies to choose from. In fact, I shouldn’t have to resort to ones I’ve already seen for quite some time. Still…there are a few in that category that I’d like to “honor”, but time will tell.
Sunday, 12 April 2009
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Currently
Planet of the Apes: The Complete TV Series
By Planet of the Apes-TV Series
see relatedLet's Do the Time Warp Again...
I don’t know that it bears mentioning that when things aren’t going quite right we tend to reflect on simpler times. Childhood mostly, it seems. Times were easier, the cares of someone who doesn’t understand what the future could bring. Miles and years away from what the future actually brings.
Nostalgia has always played a great role in my life…funny how I knew this even as a kid.
This nostalgia can be a balm. Remembering a moment when things were perfect…in that moment alone and time only softens the memory and often amps up the recollection of happiness. Of course, not all things remembered are happy…but as far as this post is concerned, that doesn’t matter.
Yes…nostalgia can be a balm…but it can also be a trap. It can be morass that if not treaded upon carefully, can suck in the victim, and not always feet first. My theory is that a wave of nostalgia may bring with it many regrets. Regrets that hold fast like barnacles on a ship, eating away at the hull of a memory. These barnacles can come through the worm-hole of memory and infect the present. Consider: if things were “X” back then and “Y” hasn’t improved, then certainly the result of “Z” would yield the same result in the present as it did way back when. And I didn’t think I’d ever use advanced math in my writing!
This brings me to a recent discovery of mine. I stumbled upon one of my personal “Holy Grails” this past week. I found a used copy of the PLANET OF THE APES television series. All 14 episodes (including one I’ve never seen because it never aired during the original run back in 1974.
1974. I had not yet turned 8 years old and my eyes were glued to the set when this particular show was on. I grew up loving the PLANET OF THE APES movie series…and when the powers that be offered a weekly dose of new adventures…I was in ape heaven. Someday I hope to be as lucky with the animated series they also produced…but I’m not holding my breath.
I have watched disc one already. The disc holds the first four episodes including the pilot. In the pilot we are introduced to astronauts Alan Virdon and Peter Burke. They have come through a time warp to the year 3085 to a planet ruled by chimpanzees, gorillas an orangutans as in the film series. For practical purposes, the humans in this world are not mute savages as they are in the films, but rather feudalistic slaves.
Virdon and Burke discover that they are in fact home…on Earth…but a long way from their own time. Flight Commander Virdon decides he must find a way to return to his own time. He and Burke, along with their chimpanzee friend Galen, find themselves on the run from a ruthless gorilla general who will stop at nothing to catch them and kill them.
The episodes thus far have touched on moral themes such as family, trust, honor (and remember…that’s just in the first four episodes). There is also much about slavery running as an undercurrent to the quest that the three renegades are on. As they go from town to town, much like THE FUGITIVE before them and their contemporary, THE INCREDIBLE HULK, they seem to leave each town and those they interact with just a little better off than when they first appeared.
Virdon has family to return to in the 20th Century, a wife and son. He is driven by the need to get back home. To get back to a better place…when things were easier. Miles and years away from what the future actually brings. He must also have in his mind that by returning to his own time, he can fix things so that history is changed. To make it so the present he is in, in the year 3085, is a much better place.
There is no time warp for us. Nostalgia does take us back in time…but not to stay. If we can fix the present by what we bring back to it from our trip down memory lane it must be done with the things we didn’t know we had forgotten.
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I am currently reading: THE JIGSAW MAN by Gord Rollo; THE IRON COUNCIL by China Mieville and THE HOUSE OF STORMS by Ian R. MacLeod
Take my Pulse...please.
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"If there is a God, only He or She will be able to forgive me for what I've done." ---from THE IGNORED by Bentley Little
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“Well, I suppose even a walk will get us somewhere sometime.” ---from THE HORSE AND HIS BOY by C.S. Lewis
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"But can one think without imagining anything?" ---from NARCISSUS AND GOLDMUND by Hermann Hesse






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